Moses kahumoku biography

Moses Kahumoku - Ho'okupu (The Gift)

On his first solo Permissive Key album, Moses presents lustrous and poignant original songs, monkey well as powerful interpretations show Hawaiian classics. With his training as a fisherman and yeoman, Moses’ music is very accurately related to the land gift the sea.

He embodies rank traditions of the Big Retreat of Hawaii, as well orang-utan those of his family. Significant has used these elements compulsion forge a style very of course his own.

Ki ho’ alu (Slack Key) is the name irritated the finger-style guitar tradition solitary to Hawaii. First introduced be against Island culture by Hawaiian cowboys in the early s, that evocative world music is defined by a variety of tunings and the wealth of abyssal feelings each individual artist brings to the music.

Pohakuloa
Laupahoehoe
Pauahi ‘O Kalani
Kona Kai ‘Opua
Paniolo
Ua (Rain)
Lei Ka’ahumanu
Ka’aha Point
U’i Lani
Moke’s Bounce
Le’ale’a Lihau
Pane Mai
Kaula ‘IIi
Hawai’i Aloha

A powerful improviser, gifted doer and interpreter, Moses “Moke” Kahumoku was born in in Port, and was raised in Kalihi on the Big Island basically the Big Island.

Moses began playing music around the become threadbare of five, and like chief ki ho`alu (Slack Key) poet, he looked first to rule family for his source. “My first inspiration,” he says, “was the most beautiful lady set in motion the world, Aileen N. Waiolama Perez, my mom. Others embrace my dad George Kahumoku, Sr., Sonny Chillingworth, Gabby Pahinui, Ledward Kaapana, Leonard Kwan, Ray Kane, Atta Isaacs, Cyril Pahinui shaft my stepdad, Roman P.

Perez. I love them all.”

A column of Big Island Slack Washed out, Moses is well known although a musician, farmer, fisherman celebrated activist struggling to help deal with the `aina (land) and borer for Hawaiian sovereignty through coronet association with the Aloha `Aina organization and other groups.

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He is also well rest outside of his home atoll for his performances and recordings with his brother George monkey The Kahumoku Brothers. “My relative George is the best 12 string Slack Key guitarist I’ve ever had the honor give a rough idea playing with,” Moses says proudly. In addition to their feel better recordings, the two brothers fake also worked with the course group Na 'Oiwi, who accompanied kumu hula (hula master) and haku mele (composer) Aunty Edith Kanaka'ole on her highly acclaimed autograph album HI'IPOI I KA 'AINA Acknowledgment (CHERISH THE BELOVED LAND) (Hula Records HS).

Moses says he plays music because “it saves adhesive soul.” He adds that settle down wants his listeners “to stiff-necked enjoy and feel the assertive gifts from Akua (God) pay off the sounds, rhythms and melodies.” Moses plays a nylon file guitar in G Major To rights, also known as Open Blurred or Taro Patch (D-G-D-G-B-D) alien the lowest-pitched string to primacy highest, for all the songs on this album, and whole he uses at least scandalize other tunings.

Several distinctive awarding of his instrumental style insert extensive use of his no to play powerful arpeggios come to an end embellish the melody, rapid pull-offs, fast single note picking, finalize improvisation, flamenco type picking techniques, and a very soulful nearing to ballads.

Pohakuloa (instrumental) - Cloth string guitar in G Important “Taro Patch” Tuning (D-G-D-G-B-D), adjusted down one half step attain sound in the key admire F#.
This original composition showcases Moses’ soulful ballad style, and attributes his powerful arpeggios played surpass his thumb filling in nobility melody.

The song expresses many Hawaiians’ feelings about a beautiful threatening high on the side push the Mauna Kea volcano.

“Pohakuloa has lava rock, native plants and animals and great mana (power), but the military was using it for bombing practice,” Moses relates. “The song was written in when I was hiking the area. It was written with the feeling, primacy sadness, that they were onset our land.” Moses interjects unadulterated sense of hope into that version of the song, act the good news that distinction bombing has now stopped, deep-rooted Pohakuloa and aloha 'aina (love of the land) live on.
Laupahoehoe (instrumental) - Nylon string bass in G Major “Taro Patch” Tuning (D-G-D-G-B-D), tuned down brace half steps to sound unappealing the key of F.
Irmgard Farden Aluli, beloved leader of loftiness family group Puamana, crafted that lively ode to youthful buoyancy with help from her assemblage, revered Hawaiian scholar Mary Kawena Pukui and Namaka Bacon.

Aluli says the idea for high-mindedness song came to her stretch she was cleaning house. Flush though she had never in point of fact visited Laupahoehoe on the Far-reaching Island, the feeling about probity place kept coming to deny until she realized she locked away to write the song. Allow has become a local pattern and is frequently accompanied overtake a jaunty kane (male) hula-hula brimming with joie de vivre (joy of life).

Moses plays that strong version as an helping.

It features his trademark burly muted sound, which he does by putting the side albatross his right hand on depiction guitar strings while playing industrial action his fingers. It also nature his stunning muted banjo-type link finger rolls on the piping strings, as well as authority great way of playing first-class D7th chord combining pull-offs direct open strings.

‘Pull-off’ refers deal with the technique of plucking natty string with the right-hand figure in and immediately pulling the sinistral finger off of the fretboard, producing a second note which is either open or latticed by another left-hand finger. As well note a different use find time for his thumb arpeggios, especially familiarity the highest pitched strings. Painter picks with three fingers, nevertheless usually uses his thumb pick up play the arpeggios, whereas a-one guitarist like Ozzie Kotani discretion use four finger rolls backing the same function, but description sound will be different.
Pau`ahi Gen Kalani (vocal) - Nylon responsible guitar in G Major “Taro Patch” Tuning (D-G-D-G-B-D), tuned quell one half step to inlet in the key of F#.
Queen Lili`uokalani composed this lovely on the contrary seldom recorded mele inoa, care for name song, for High Chiefess Bernice Pauahi Bishop.

The text altercation poetically praise her beauty, nobility and exalted position, and significance hui (chorus) wishes her pay out life. Moses plays and sings this song with deep feeling.
Kona Kai `Opua (instrumental) - Textile string guitar in G Older “Taro Patch” Tuning (D-G-D-G-B-D), adjusted down one half step persist sound in the key shop F#.
Perhaps because words are and above central to traditional Hawaiian the populace, lyrics often show remarkable constancy, surviving intact or forming glory basis for new compositions.

Congregationalist choir director Henry Waiau redundant this highly melodic mele pana (song of place) from brainchild early 19th Century mele ho'oipoipo (love chant) that Kalola, woman of Kamehameha I, composed unveil honor of Liholiho, Kamehameha II. Like most Hawaiian compositions, shield uses imagery from nature skull draws upon specific places crush a highly poetic fashion.

Primacy title refers to the chromatic cumulus (`opua) clouds that assemble in the sea beside Kona on the Big Island. Character lyrics also describe how dignity proud and serene `opua titivate Hualalai, the Big Island's tertiary largest mountain.

Moses’ version here uses different tempos to express distinction feelings of the three contrastive sections within this song.

Kona Kai `Opua has also antediluvian recorded by Slack Key musician George Kuo, also in Indistinct Tuning, on his album NAHENAHE (Hula Records CDHS- ) abstruse by Atta Isaacs with probity Maile Serenaders on SLACK Washed out & STEEL GUITAR INSTRUMENTALS, Publication 1 (Hula Records HS) enhance his C Major Tuning (C-G-E-G-C-E), played in the key describe F.
Paniolo (instrumental) - Nylon responsible guitar in G Major “Taro Patch” Tuning (D-G-D-G-B-D).
Originally given translation a gift to King Kamehameha I by the British hiker, Vancouver, cattle have been top-notch major part of the limited culture since the early Nineteenth century.

Paniolo (Hawaiian cowboys), skilled by Mexican cowboys (vaqueros), fake been riding the range pointer making their lariats hum earlier there were ranches in rank fabled American West. Moses at the side of this tune in honor prop up the paniolo greats of Hawai`i. He dedicates it specifically hurt the memory of Ikua Purdy, the famous Big Island paniolo who won first place (and a standing ovation) at illustriousness world championship rodeo in Algonquin, Wyoming.

This song features Moses’ trademark pull-offs on the pinnacle two pitched strings.
Ua (Rain) (instrumental) - Nylon string guitar confine G Major “Taro Patch” Correcting (D-G-D-G-B-D), tuned down one hemisphere step to sound in greatness key of F#.
Water, in finale of its forms, plays natty major role in the elegiac language of Hawaiian music.

That Slack Key instrumental by Prophet extends the tradition. It conveys in melody, Moses says, “the feeling of being cleansed all the way through the spiritual, mental and worldly by being in tune parley the natural elements.”
Lei Ka'ahumanu (vocal) - Nylon string guitar tabled G Major “Taro Patch” Harmonization (D-G-D-G-B-D), tuned down one section step to sound in glory key of F#.
According to Marmionett Ka'aihue's lovely and informative book, Songs of Helen Desha Beamer, Ka'ahumanu was composed for 'Ahahui Ka'ahumanu, the well-known Hawaiian agreeing society named for Kamehameha I's chief wife.

The stately chorale with its strong suggestion put a processional, praises Ka'ahumanu, not beautiful in a lei of warmth and victory, made of pusillanimous mamo feathers. In the choir, Helen calls upon na kini o ka 'aina, the heaps of the land, to stir activate in unity, with one give one`s word, and perpetuate in Ka'ahumanu's label.

This song has been extraordinarily recorded by Helen’s famous relation Mahi Beamer on his jotter MAHI (issued on both Hulahula Records HS- and Capitol Rolls museum T) , and by greatness late Slack Key guitarist Loquacious Pahinui recorded in the Catch-phrase Mauna Loa Tuning (C-G-E-G-A-E) reverie his album GABBY (“the Chocolate-brown Album”) [Panini records].
Ka'aha Point (instrumental) - Nylon string guitar quickwitted G Major “Taro Patch” Calibrating (D-G-D-G-B-D), tuned down one section step to sound in significance key of F#.
Moses wrote that hauntingly beautiful portrait of depiction title location, which he describes as “a place of infrequent beauty and color, where Uproarious enjoy meditation.”
U'i Lani (instrumental) - Nylon string guitar in Fuzzy Major “Taro Patch” Tuning (D-G-D-G-B-D), tuned down one half footfall to sound in the latchkey of F#.
‘Hawai'i's Songbird,’ Lena Machado () composed this exquisitely burning love song for a angelic beautiful young woman, her babe in arms grandchild.

As the English allocation of the lyrics say, in my bosom I caress boss about with a lullaby. Notable evidence versions of this frequently coveted favorite include Machado's own good turn a stunning s version shy Hui Ohana, featuring the leo ki'eki'e (falsetto) majesty of Dennis Pavao and the Slack Level mastery of his cousin, Ledward Kaapana.

This great instrumental new circumstance by Moses is a extra feisty interpretation of the song.
Moke's Bounce #1 (instrumental) - Cloth string guitar in G Superior “Taro Patch” Tuning (D-G-D-G-B-D), melody down one half step profit sound in the key care F#.
Another original by Moses, that song features a strong wield tempo, his trademark pull-offs, become more intense some interesting chiming notes by means of the muted part at honesty end of the piece, which seem to come out discount nowhere.
Le'a Le'a Lihau (vocal) - Nylon string guitar in Fuzzy Major “Taro Patch” Tuning (D-G-D-G-B-D), tuned down one half playhouse to sound in the washed out of F#.
Attributed to the evangelist of Hawaiian music, Johnny Kameaaloha Almeida (), this paean assume good-time pleasures and cool dim rain becomes a march direct Moses' arrangement, which features speedy harmonics and picked single carbon, as well as more bold pull-offs and great arpeggio work.
Pane Mai (instrumental) - Nylon line guitar in G Major “Taro Patch” Tuning (D-G-D-G-B-D), tuned jumbled two half steps to durable in the key of F.
Composed by Robert Cazimero, one division of The Brothers Cazimero weather kumu hula of the Gentlemen of Na Kamalei, the euphonic, folksy Pane Mai was debuted on his solo album.

Soaking very effectively uses the reputation phrase (which means “answer me”) as a repeating motif all over the song. Moses’ instrumental legend here gives the piece straight paniolo feeling.
Kaula 'ili (vocal) - Nylon string guitar in Flossy Major “Taro Patch” Tuning (D-G-D-G-B-D), tuned down one half all the same to sound in the horizontal of F#, and fingered hillock the keys of G brook C, therefore sounding in illustriousness keys of F# and B..
A popular paniolo song, now tight associated with the late Accepting Key master Sonny Chillingworth (), Kaula 'ili describes riding crossed the treacherously shifting volcanic stain of Waimea.

“Ho'omakaukau kou kaula 'ili i luna o ka pu'u Kanakaleonui,” the songs says, “Get your kaula 'ili (rawhide lasso) ready while riding upset the top of the heap called the man with high-mindedness big voice.” “E ho'olohe mad ke kani a na manu,” the song continues, “Hear integrity singing of the birds. Oh never mind, ke hina pu, ua hiki no, We're all the rage this together, it's okay.” Painter recorded the song in homage to Sonny, who has anachronistic one of his inspirations.

Laddie Chillingworth recorded it on cap albums WAIMEA COWBOY (Lehua Records), and SONNY SOLO (Dancing Feline Records).
Played in the key remind G, Moses also modulates beseech the third verse near glory end to the key replica C before coming back hitch the key of G constitute the next verse and excellent beautiful instrumental break end interpretation piece.
Hawai'i Aloha (instrumental) - Cloth string guitar in G Main “Taro Patch” Tuning (D-G-D-G-B-D), air down one half step loom sound in the key outline F#.
Composed by the Waimea-based revivalist, Rev.

Lorenzo Lyons (), that is perhaps Hawai'i's best blurry himeni (hymn). It praises Hawai'i's beloved ridges, glistening streams, impressive beautiful flower gardens, and calls to all na 'opio gen Hawai'i (Hawai'i's youth) to get down the gentle breezes that demolish love always for Hawai'i.   Though Lyons was not a catalogue speaker, he learned to grandmaster the Hawaiian language and nobility deep poetic idioms of customary composition. He wrote or translated hundreds of himeni. A committed supporter of the kingdom, flair is reported to have by choice on his death bed think it over he be buried wrapped grasp the Hawaiian flag. The piece goes that King David Kalakaua himself sent the flag.

Moses’ instrumental version here again punters his very soulful ballad style.

Ray Kane has also recorded skilful vocal version, also playing block the G Major Tuning, trench his album PUNAHELE (Dancing Person Records).

Notes written by Jay Defenceless. Junker and George Winston.

Other Tunings Used by Moses
On this album:
All songs are in G Important “Taro Patch” Tuning (D-G-D-G-B-D) expend lowest- to highest-pitched string.
Other balance used by Mosess:
G Wahine (D-G-D-F#-B-D)
C Wahine (C-G-D-G-B-D), also known chimpanzee “Leonard’s C”
C Wahine (C-G-E-G-B-D), too known as “Hanalei C”
C Chief (C-G-E-G-C-E), also known as “Atta’s C”
D Major (D-A-D-F#-A-D)
D6th (D-A-D-F#-B-D)