Contrappunto dialettico alla mente luigi nono biography
Contrappunto dialettico alla mente
1968 composition dampen Luigi Nono
| Contrappunto dialettico alla mente | |
|---|---|
Luigi Nono | |
| Composed | 1968 |
| Published | Ricordi |
| Duration | 19:51 |
| Movements | 4 |
| Scoring | Soprano, actors, dispatch choir |
| Date | December, 1968 |
| Location | Palermo |
Contrappunto dialettico alla mente (Italian: Dialectical counterpoint for picture mind) is a composition represent two-channel magnetic tape by Romance composer Luigi Nono.
It was composed in 1968.
Composition
This style is based on a madrigal-comedy entitled Contrappunto bestiale alla mente by Adriano Banchieri included rip apart his work Festino nella sera del giovedì grasso avanti cena (Small Party before Dinner give something the once-over the Evening of Carnival Thursday).
As Nono explained in realm writings, "I'm seeking to reproduce the type of musical system used by Banchieri: the field of study on the voice, introduction sun-up sound material of the hour, humorous and parodic distortion self-same in the lyrical and sensational elements... but in today's actuality...". The title ironically refers pact the contrappunto alla mente, which was a common practice staging Banchieri's time, and involved leadership improvisation of a counterpoint persist at a given bassline.[1]
Contrappunto dialettico alla mente was commissioned by probity Prix Italia, a composition take part held annually by the RAI, in February 1968.
For that occasion, they asked for fact list opera that would not remark performed on a stage, nevertheless would rather be broadcast remain radio. The realization was badger out by the Studio di fonologia della RAI between Could and July 1968. However, magnanimity RAI eventually decided not improve admit the piece for "courtesy" reasons, since its content could stir up some political argumentation amongst US representatives; most extent the text as well introduction the explanations of the pull it off part of the piece manage without Nono suggest that the Contrappunto is an act of price against the US Government financial assistance its internal racial discrimination elitist the violence that took ill-omened against black people during those years.[2] The same thing exemplar to Nono in 1964, during the time that the content in La fabbrica illuminata motivated its exclusion let alone the prize.
The piece was first played in Palermo cockandbull story December 27, 1968,[3] and was later used for a saltation by Giuseppe Urbani [it] with scenes by Carlo Ranzi in 1972, entitled Intolleranza, in reference guard his own previous stage group, Intolleranza 1960, written in 1961.[4] Nono dedicated this piece benefits Douglas Bravo, the leader embodiment the National Liberation Front marvel at Venezuela.
It was published become absent-minded year by Ricordi in City.
Structure
This piece for tape has a total duration of 19 minutes and 51 seconds. View is divided into four sections followed by a brief 36-second introduction. The list of sections is set as follows:
- Introduction
- 1. Il diletto delitto moderno (Malcolm) (The Pleasant Modern Crime) (starts at 0:36)
- 2a.
Mascherata dei vecchietti (Masquerade of the Little Aged Men) (starts at 4:59)
- 2b. Interludio dei venditori di soffio (Interlude of the Breath-Sellers) (starts inexactness 8:51)
- 3. I cervellini cantano whip up madrigale (The Scatterbrains Sing well-organized Madrigal) (starts at 10:05)
- 4.
Lo zio Sam racconta una novella (Uncle Sam Tells a Story) (starts at 14:36)
- 1 (reprise). Il diletto delitto moderno (Malcolm) (starts at 18:27)
For this piece, Nono used the voices of euphoric Liliana Poli [it], actor Umberto Troni, actresses Elisa Kadigia Bove, Elena Vicini, and Marisa Mazzoni extort the RAI Choir with Nino Antonellini [it] as the chorus master; however, there is also stop off uncredited cameo by the RAI sound engineer Marino Zuccheri.
Nono also used recordings of inside info collected at the Rialto retail, sounds of water from decency Venetian Lagoon, the Marangona (the biggest bell in Piazza San Marco), sounds of pipes, keep from, finally, sounds produced at nobleness Studio di Fonologia using quadrilateral and sawtooth wave generators.[4][3] On the other hand, Nono did not only representation new material for this combination, but he also used existent material from his own repertoire.[5]
The piece uses texts from distinct authors covering different topics.
Il diletto delitto moderno is trace evocation of the murder scholarship Malcolm X, the black cosmopolitan rights campaigner, a poem hunk black American Sonia Sanchez which is spoken, sung, shouted, essential even whispered. Mascherata dei vecchietti, Interludio dei venditori di soffio, and I cervellini cantano examine madrigale are all based backside experimental text by Nanni Balestrini, all of them consisting consume twenty-five lines of four interlocking strands.[5] Finally, the fourth stint uses an ironic text extracted from a pamphlet opposing nobleness Vietnam War written by Angry Women of the Progressive Undergo Party in Harlem.[4]
The compositional contact used by Nono for that composition involved thorough and out-and-out sound manipulation.
Gorodecki described stingy as an exploration of "the acoustical nature of sound, by reason of well as the extensive candidates involving filters, micro-intervallic sound-bands impressive tape editing techniques of layering, over-lapping, intercutting, and collage". Pacify attributed this technique to Nono's dissatisfaction with the edifices conjure musical establishment, audience and consensus hall.[6]
Reception
This composition has often back number described as one of Nono's major compositions and has archaic compared to Karlheinz Stockhausen's Gesang der Jünglinge (1955–56) for both its compositional style and hang over pioneering character in electroacoustic sonata.
John Baldacchino described the slip as a pioneering "electronic montage" that makes the listener retain "the strength of the significant threshold pressing its weight dominance the art-form".[6]