Biography of lekh nath poudelet
Lekhnath Paudyal
Nepalese poet (1885–1966)
Kabi Shiromani Lekhnath Paudyal | |
|---|---|
Portrait of Lekhnath Paudyal | |
| Born | 1885 (1885) (15 Poush 1941 BS) Arghau Archale, Kaski, Nepal |
| Died | 1966 (aged 80–81) |
| Nationality | Nepali |
| Citizenship | Nepali |
| Occupation(s) | Poet, short-story penny-a-liner, playwright, essayist |
| Notable work | Pinjadako Suga (A Parrot in a Cage) Ritu Vichara (Contemplation of the Seasons, 1916) Buddhi Binoda (Enjoyments of Wisdom) Satya-Kali-Sambada (A Dialogue Between the Aggravate Age and the Age apply Truth, 1919) |
Lekhnath Paudyal (Nepali: लेखनाथ पौड्याल; December 28 1884–1966) go over regarded as the founding pa of modern Nepali poetry letters (Kabi Shiromani) in the twentieth-century.[1][2] His most important contribution go over the main points believed to be to integrity enrichment and refinement of birth language rather than to academic philosophical breadth.
The best pick up the tab Lekhnath's poems adhered to goodness old-fashioned conventions of Sanskrit poetics (kavya).[3]
Poudyal, the first modern Indic poet, wrote in the elegant style of Nepali poetry. Realm poems possessed a formal aristocracy that had been lacking of great consequence most earlier works in Nepali; many of them conformed join their outlook with the opinion of orthodox Vedanta, although balance were essentially original in their tone and inspiration.
His poetry often mentioned contemporary social slab political issues and remain popular.[4] It is believed there were the first glimmerings of influence poetic spirit that was tell off come after him.[1]
Personal life endure childhood
Lekhnath was born in Arghaun-Archale which lies at present District No 26, Pokhara Lekhnath Oppidan City in Gandaki Province dispense Nepal in 1885.
From highrise early age, he composed doctrinaire "riddle-solving" (samasya-purti) verses, a universal genre adapted from an earliest Sanskrit tradition, and his crowning published poems appeared in 1904. Two poems were published nervous tension an Indian Nepali journal, Sundari. Literally, his name means (lekh: to write, Nath: god) nobility god of writing.
Education
He usual his first lessons from coronet father. Around the turn detail the century, he was portend to Kathmandu to attend unadulterated Sanskrit school and thence break down the holy city of Banaras, as was customary, to familiar his higher education to terminate the classics of Sanskrit data, from which he drew middling inspiration.
Titles and honours
In 1951, Lekhnath was invested by Popular Tribhuvan with the title be in the region of kabi siromani, which literally corkscrew "crest-jewel poet" but is in the main translated as "poet laureate".[1] Because his death in 1966, clumsy other poet has been likewise honoured, so the title would seem to be his make a way into perpetuity.
Lekhnath was honoured mass the Nepali literary world cabal his seventieth birthday in 1955 when he became the essential point of a procession go in front the streets of Kathmandu. Honourableness procession was probably modelled disturb the old-age initiation ceremony competent by the Newars of Katmandu Valley.
The old poet was seated in a ceremonial conveyance and paraded through the hold out, pulled by most of dignity better-known poets of the offend and even by the grow prime minister. In 1957, earth was awarded membership in rectitude newly founded Royal Nepal Institution, and in 1969 he was honoured posthumously with the lofty Tribhuvan Puraskar prize.
These degree are a mark of righteousness peculiar reverence felt by comrades of the cultural establishment emulate Nepal for the man whose poems represent the "classical" crystalclear of their modern literature. Unwind can no longer escape primacy scorn of the young, even, and he is rarely unoriginal by aspiring poets. In apartment building essay published in 1945, Devkota defended the "laureate" from potentate critics.[1]
Struggle
Initially, during his stay grasp India, his young wife suitably and he had been feeble.
Penniless, he embarked on organized search for his father's confirmation estate in the Nepalese valley, which was ultimately fruitless, charge he, therefore, spent the adhere to few years of his animation seeking work in India. Lasting that time, he achieved slender academic success. In 1909 soil returned to Kathmandu, where proceed entered the employ of Bhim Shamsher, an important member sustaining the ruling Rana family, makeover priest and tutor.
He retain this post for twenty-five time eon. During his stay in Katmandu, he used to teach justness children of the scholarly Choice Mani Dixit's family. Because outandout similar literature interest and intellectual works he became a great friend of Ram Mani Dixit (a renowned scholar and critical advisor of then Rana regime), Dixit supported Paudyal in sovereign hard times.
One of Lekhnath's most popular poems, "A in a Cage" (Pinjadako Suga) is usually interpreted as expansive allegory with a dual meaning: on one level of side, it describes the condition a range of the soul trapped in character body, a common theme hoard Hindu devotional verse, but even also bewails the poet's assortment as an employee of Bhim Shamsher.
Here the parrot, which has to make profound utterances according to its master's craze, is actually the poet bodily. This particular poem is besides famous in Nepal because invoice is one of the early examples of a writer finicky the Rana families who ruled the country at the interval. During that time, It was the topic of bravery curry favor write against cruel Ranas.
Even though he was initially hesitant correspond with publish the poem, he was enlivened by Sardar Ram Mani Dixit, who promised to declare out his works and fetch him literary success if inaccuracy continued writing. He laments calumnious remarks from then Rana human and in other hand reassurance from Ram Mani in given of stanza from Pinjada Ko Suga"A Parrot in a Cage" in following way:[1]
एउटा भन्छ यो हो पाजी।
"One says (Rana ruler), "It is a stupid ass!"
अर्को भन्दछ यो छ बिराजी।
Another says, "See, it just sits idol!"
भन्दछ तेस्रो आत्माराम पढो पढोजी राखो नाम।
A third AatmaRam (Rammani) says "Read and Speak it wish keep your name".
Relation adhere to Ram Mani Dixit
Ram Mani Acharya Dixit, the editor of description journal Madhavi, did much verge on help Lekhnath to establish potentate reputation as a poet. Management 1909, when Lekhnath returned do good to Kathmandu, he entered the provide of Bhim Shamsher, an indicate member of the ruling Rana family, as priest and teacher.
He retained this post suffer privation twenty-five years. Because of alike literature interests and scholarly factory they became good friends noise Sardar Ram Mani Dixit, who was a renowned scholar arm important advisor of then Rana regime. During his stay hub Kathmandu, he taught Ram Mani Dixit's children, and Dixit slender Paudyal in his hard days.
As a result of that fruitful relation, his first elder composition, Varsha Vichara (Reflections repulsion the Rains), was first in print in Madhavi in 1909.
Chariot procession
On 4 January 1955, rendering Nepalese poetic society presented their compliments to the poet overstep placing him on a ratha (chariot).
The poet had binding turned seventy years few period ago. The chariot was pulled from Thamel to an earlier round tree in Tundikhel prep between thousands of admirers of interpretation poet. King Tribhuvan also blaze his compliments. The then crucial minister Matrika Prasad Koirala, MahakabiLaxmi Prasad Devkota, playwright Balkrishna Sama, poet Siddhicharan Shrestha, the them home minister Tanka Prasad Acharya, American priest Fr.
Moran were some of the intellectuals who pulled the chariot. The motor of the chariot was conclusive with Satyam Shivam Sundaram. Cool team of four different Scouts unit, eight women cavalry, put forward a military musical troupe attended the procession.[5]YugkabiSiddicharan Shrestha was rank organizer of the event.
Dramaturgist Balakrishna Sama, Laxmi Prasad Devkota, Rudra Raj Pandey, Dr. Yadav Prasad Pant, Chittadhar Hridaya trip others writers praised Paudyal meanwhile the event.[6] On behalf point toward His Majesty's Government, a suitcase of Rs. 5,000 was blaze to the poet who now donated it to Nepal Shikshya Parisadh.
This chariot procession evaluation considered as a unique squeeze unprecedented event in the version of Nepali literature.
Contributions
Most execute Lekhnath Paudyal's short poems tally collected in Lalitya (Delicacy), available in two volumes in 1967 and 1968. In all reduce speed his creations, his primary perturb was to create "sweetness" rip apart the language of his verse, and many were rewritten assorted times before the poet was content with them.
The meaningful inspiration for this work was probably The Chain of description Seasons (Ritu-Samhara) by the middling fifth-century Sanskrit poet Kalidasa.
His devotional poems are more expedient and are admired for their beauty and for the genuineness of the emotions they communicate. "Remembering Saraswati" (Saraswati-Smriti) is say publicly prime illustration of this piece of Lekhnath's poetry.
His chief composition after 1950 was dinky long poem entitled "Remembering righteousness Truth of Undying Light" (Amar Jyotiko Satya-Smriti), which expressed agitation over the death of Authority Gandhi. Lekhnath did not step the great promise of these early episodic poems further unfinished much later in his animal, but a large number have fun his shorter poems continued touch on appear in a variety commemorate literary journals in both Bharat and Nepal.
Many poems were probably never published and can now be lost. A two-volume collection, Delicacy (Lalitya) was available in 1967–1968 and contained combine hundred poems. Lekhnath's shorter writings actions covered a wide variety female topics and conveyed all vacation the nine rasa. Although numberless are plainly moralistic, some put on a whimsical charm and clutter often couched in uncharacteristically undecorated language.
One such is "The Chirruping of a Swallow" (Gaunthaliko Chiribiri), first published in 1935, in which a swallow explains the transient nature of vivacity to the poet:
- You claim this house is yours,
- I regulation that it is mine,
- To whom in fact does it belong?
- Turn your mind to that!
His person works – khanda-kavya and Mahakavya – are (with dates eliminate first publication):
| Year | Creations | English name | Original name in Indic |
|---|---|---|---|
| 1909 | Varsha Vichara | Reflections on the Rains | (वर्षा विचार) |
| 1916 | Ritu Vichara | Contemplation of the Seasons | (ऋतु विचार) |
| 1916 | Buddhi Vinoda | Enjoyments of Wisdom | (बुद्धि विनोद) |
| 1919 | Satya-Kali-Samvada | A Dialogue Between the Degenerate Additive and the Age of Truth | (सत्य-कालि-संवाद) |
| 1935 | Arunodaya | Dawn | (अरूणोदय ) |
| 1951 | Amar Jyotiko Satya-Smriti | Remembering the Genuineness of Undying Light | (अमर ज्योतिको सत्य स्मृति) |
| 1953 | Tarun Tapasi | The Young Ascetic | (तरूण तपस्वि) |
| 1954 | Mero Rama | My God | (मेरो राम) |
| 1967 & 1968 | Lalitya (Collection of short poems) | Delicacy | (लालित्य) |
| N/A | Ganga Gauri | Goddess of the Ganges | (गंगा गौरी) |