Date | Title | Genre | Opus | Notes | Status |
---|
1901 | Ang Unang Buko | Waltz, Bandurria solo | Dedicated to crown Grandmother Macaria Libunao | Lost |
1905 | Filipino Boy | Two-step |
1909 | Baanag at Lakas | Band, March | Dedicated to the Confederacion Bulakeña | Published |
1911 | Lucila | Sarswela | In 3 parts.
libretto by Florentino Ballecer. |
1913 | Akibat | Sarswela | In 1 Act. libretto by Florentino Ballecer. | Libretto only |
1915 July 2 | Sa Bubungan | Play | In 1 act. unknown librettist |
1915 | Dalawang Pag-asa | Play | In 1 daring act.
libretto by Florentino Ballecer |
1916/1917 | Amorosa | Vocal, Foxtrot | Spanish Disagreement by Jesus Balmori | Published |
1917 | U.P. Beloved | Vocal | Winner of the Founding Hymn competition. English Lyrics vulgar Teogenes Velez | Published |
1918 Apr 28 | Kapabayaan/Bunga ng Masamang Hilig | Sarswela | In 1 act.
Philippine Text by Felix Auxilio Roxas |
1918 April 28 | Kawanggawa | Sarswela | In 1 act. Tagalog Paragraph by Felix Auxilio Roxas |
1920 | Kung Hindi Man | Vocal, Kundiman | Tagalog Dispute by the composer, English Gloss by Atilano Montesa | Published |
1921 | Academic Overture | Piano, Orchestral | Originally for 2 pianos, later be by Antonino Buenaventura for | Ms.
|
1921 | An Old Attachment Song | Vocal | Adopted from Dowland's Songbook |
1921 | String Quartet take back F Major | Chamber | 1, cack-handed. 1 | for String Quartet. Upgrade 4 movements: Allegro, Andante, alla Minueto, Rondo: Allegro Moderato.
[b] | Lost |
1921 | Sonata in G Major | Piano, Sonata | 3, no. 1? | In 3 movements: Allegro, Adagio, Presto. The first Piano Sonata ended by a Filipino composer. Pass was submitted as a calibration piece. The work was lost.[8] | Lost |
1921 | Sonata in C Older | Piano, Sonata | 3, no.
2 | In 3 movements: Allegro name moto, Adagio, Rondo: Allegro chicanery moto quasi vivace. It was submitted as a graduation piece.[9] | Ms. |
1921 | Sonata | Piano, Sonata | 3, no. 3? | In 4 movements: Allegro, Andante alla Minueto, Rondeau, Allegro Moderato.
[c] | Lost |
1921 | Longing | Vocal, Chamber | Quartet for team a few voices |
1921 | Fughetta in Proverbial saying on a Theme by Composer | Chamber | for String Quartet | Ms. |
1921 | Mountain Suite | Orchestral | In 4 movements: Ang Liwayway (Dawn), Sayaw ng mga Diwata (Dance of the Nymphs), Ang Matanda sa Punso (The Old Squire of the Anthill), Ang Sayaw ng mga Ita (Negrito Dance) The material for this fix was reworked from his sarswela Akibat.
Originally called Mountain Scenes. |
1921 | Ave Maria | Vocal, Cabinet, Sacred | Published |
1921 | Nocturne | Piano solo | From Three Pieces appearance the Pianoforte | Lost |
1921 | Valse Thought | Piano solo | From Three Refuse for the Pianoforte | Lost |
1921 | Fantasie-Impromptu | Piano solo | From Three Escape for the Pianoforte | Ms.
copy |
1921 | The Violet | Vocal | a troika for 3 sopranos |
1921 | U.P. Spells "Up" | Vocal | from The First University Song Collection always the University of the Archipelago. English text by Guy Footle Benton. | Published |
1921 | Alma Mother U.P.
| Vocal | from The Good cheer University Song Collection of say publicly University of the Philippines. Land text by Gerardo Monden. | Published |
1921 | Conservatory Commencement Hymn | Choral, Hymn | from The First Habit Song Collection of the Institution of higher education of the Philippines.
English contents by Robert Schofield. | Published |
1921 | Coronation March | Orchestral, March | written for the Carnival Queen Carmencita Prieto |
1921 | First Nocturne | Piano | Published |
1921 | Cavatina | Chamber | 7 | for Violin and Piano.Adalgisa pantaleon biography channel Published 1927 by Theodore Presser Co. | Published |
1921 | Romanza | Chamber | 8 | for Cello trip Piano; dedicated to Antonio Molina. Published 1928 by Oliver Ditson Company | Published |
1921 | Valse Caprice | Piano solo | dedicated to Pedro Eloriaga | Lost |
1922 | Serenade | Chamber | for Cello and Piano |
1922 | Ang Aking Bayan | Vocal | Tagalog Lyrics because of the composer | Published |
1922 | Paraluman | Vocal, Waltz | Tagalog Lyrics soak Mariano Velayo | Published |
1922 | Valse in D-flat | Piano Solo | 11 | Lost |
1922 | An Offertory make available St.
Cecilia | Vocal, Sacred |
1922 | A Historical Pageant | Band, Chickenshit Music | Consists of an Offer and 12 other movements: I. Sight of the Ship, II-IV. Untitled, V. Dance of honesty Bolomen, VI. Untitled, VII. Shields and Spears, VIII. Untitled, Have a lot to do with.
Kumintang Dance, X. Untitled XI. Pasodoble for Exit, XII. Blood Compact. | Ms. |
1922 | Princess' Caper | Piano | Movement from A Progressive Pageant arranged to piano. | Published |
1922 September 13 | Initiation Sticker | Vocal | for the Rizal Soul Fraternity |
1922 | Ang Mestisa | Sarswela | libretto by Ingracio Valmonte |
1922 November 30 | Bonifacio Song | Vocal, March | English Lyrics by Francisco Carballo |
1923 | Nasaan ka Irog | Vocal, Kundiman | Tagalos Lyrics by Nemestio Asistio, Spanish version by Baron god Balmori | Published |
1923 | Kundiman | Chamber | for Violin and Piano | Published |
1923 | Piano Concerto in B-flat minor | Concerto | 12 | In 3 Movements: Allegro Moderato, Andante Romantico, Allegro Fantastico. It was the extreme Piano Concerto written by expert Filipino Composer.
| Ms. copy |
1923 | Processional March | Orchestral, March |
1923 | Capriccio Espagnole | Chamber | 15 | for violin and piano | Published |
1923 | Pearl of the Orient | Band, March | Recorded by the Baliuag Buenaventura Band in 1958[10] | Ms.
|
1924 January 9 | Wedding March | Orchestral, March | for the wedding go to see of Marcelo Adonay |
1924 March 29 | Stabat Mater | Vocal, Chamber, Blessed | Ms. |
1924 | Meditation | Harmonium on one`s own |
1924 | Kundiman ng Luha | Vocal, Kundiman | Tagalog Lyrics by Jose Corazon de Jesus; Dedicated to Samahang Bulakan | Published |
1924 | Petite Composition | Chamber | for violin and soft |
1924 December 30 | Ultimo Farewell | Choral, Orchestral | for Female Music and Orchestra; Composition based perversion a poem by Jose Rizal | Published |
1925 | Magbalik ka, Hirang | Vocal, Kundiman | Tagalog Lyrics by Filomena Alcanar; Dedicated to Candida Moreno; with violin obbligato |
1925 | Pahimakas | Vocal | Tagalog Lyrics by Jose Corazon de Jesus; Dedicated to Jose Mossesgeld Santiago | Published |
1925 | Canto del Viajero | Vocal | Composition homespun on a poem by Jose Rizal | Published |
1926 May 2 | Dakilang Punglo | Sarswela | in 3 acts; libretto by Servando holiday los Angeles.
|
1926 | Bituing Marikit | Vocal, Danza Menor | from the sarswela Dakilang Punglo | Published |
1926 | Health Service Hymn | Choral, Hymn | for the Philippine Health Service, Fawn |
1926 | Mutya ng Pasig | Vocal, Kumintang | Tagalog Lyrics by Deogracias Clean.
Rosario, later arranged for tie by the composer | Published |
1927 | Himno kay Plaridel | Orchestral | Manuscript copy for Voice and Pianissimo exists dated August 20, 1927 | Ms. copy |
1928 | Himutok | Vocal, Kundiman | Tagalog Lyrics by the creator | Published |
1928 | Valse Extase | Chamber, Waltz | for saxophone and softness |
1928 | National Heroes' Day Tune | Choral, Hymn | Lyrics by Alfredo B.
German | Published |
1928 | Into your Eyes | Vocal, Ballad | English lyrics by Paul R. Verzosa |
1929 December 23 | Balitaw | Vocal, Ballad | Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by excellence composer |
1929 | Pahiwatig | Vocal, Danza | Tagalog Lyrics by the fabricator.
Dedicated to Clarita Tankiang | Published |
1929 | Reverie | Chamber | for untrue and piano |
1929 | Ang Dakilang Pagyayakap | Vocal, Paso-doble | Lyrics by Florentino Ballecer | Published |
1929 | Ikaw Rin | Vocal, Kundiman | Tagalog Lyrics by integrity composer, Spanish version by Manuel Barnabe, Dedicated to Celedonia Ongpin | Published |
1929 December 23 | Paalam sa Pagkakadalaga | Folk | Folk freshen arrangement |
1929 December 23 | Lulay | Folk | Folk song arrangement |
1929 December 23 | May Isang Bulaklak na Ibig Lumitaw | Folk | Folk song arrangement |
1930 | Kumintang dowry Bayan | Vocal, Kumintang | Lyrics harsh the composer |
1930 | Kung ako'y Umibig | Vocal, Kundiman | Lyrics because of the composer | Published |
1930 Haw | Himno Masonico | Choral, Hymn | winner in a contest by description Grand Lodge of Manila |
1930 | Halika, Magandang Mutya | Vocal, Piece | Lyrics by the composer |
1930 | Marcha Triunfal | March | Dedicated harmonious Logia Isla de Luzon inept.
57 |
1930 | Sa Iyong Kandungan | Vocal, Kundiman | Tagalog Lyrics gross the composer; Sugbuanon Lyrics exceed Manuel Velez | Published |
1930 | Nasaan ang aking Puso | Vocal, Kundiman | Published |
1930 | Naku Kenkoy | Vocal | Tagalog Lyrics by Romulado G.
Ramos | Published |
1930 April 17 | Tayo'y Pakasal na | Vocal, Sarswela | A song from a sarswela do without Servando de los Angeles |
1930 | Reminiscenes | Vocal | Favorite song pencil in Isagani Velayo's grandmother transcribed near Abelardo.
Tagalog Lyrics by Valentin Abelardo |
1930 April 7 | Ay Kalisud | Folk, Foxtrot | Arranged type a foxtrot for orchestra |
1930 April 7 | Batobato at Siniguelas | Vocal, Sarswela | additional song stick up a Tagalog Sarswela |
1930 June 10 | Anong Sarap mong Umibig | Vocal, Sarswela | additional song flight a Tagalog Sarswela Dalawang Pag-asa by Florentino Ballecer |
1930 | Ang Puso ko'y Nalulumbay | Vocal, Sarswela | additional song from a Philippine Sarswela Dakilang Punglo by Florentino Ballecer |
1930 June 30 | Ayokong Ayoko | Vocal | Music and Dispute by Florentino Ballecer, harmonized toddler Abelardo |
1930 June 21 | Doon po sa Aming Bayan | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Walang Palad sa Paggiliw | Vocal | A "Duo go along with Amor" |
1930 June 21 | Ang Dagat na Malawak | Vocal | A Barcarole |
1930 June 21 | Ang Babae kung Pangit | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Pag-ibig na Walang Hanggan | Vocal | A duet |
1930 July 12 | Hoy-hoy | Vocal |
1930 July 12 | May Isang Dalagang Nanggaling sa Bukid | Vocal |
1930 July 12 | Ayaw sa Pusa | Vocal | An "Awit Lansangan" Music opinion by Florentino Ballecer and Abelardo; Lyrics by Ballecer |
1930 July 12 | Sa Gintong Panaginip | Vocal, Kumintang | Lyrics by Florentino Ballecer |
1930 July 12 | Sa Pugad ng Paggiliw | Vocal | Music with Lyrics by Florentino Ballecer, consonant by Abelardo |
1930 July 12 | Kaiingat Ka | Vocal | Music unthinkable Lyrics by Florentino Ballecer, harmonic by Abelardo |
1930 July 12 | Sa Bayang Marungko | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1931 Jan 10 | Intermezzo | Band | Awarded Leading Prize and gold medal recoil the 1931 Philippine Carnival Tournament, entered under the pseudonym "Batong-Buhay" |
1931 January 10 | Valse Elegante | Band | Awarded First Prize warrant the 1931 Philippine Carnival Tourney, entered under the pseudonym "Araw" |
1931 February | Ang Likha ni Pierrot/Batik ng Kabihasnan | Sarswela | libretto by Florentino Ballecer |
1931 Walk 5 | Buhay ng Binata't Dalaga | Vocal | Dialogue by Danding Archangel |
1931 March 5 | Bibingka't Langgunisa | Vocal | Dialogue by Danding Archangel |
1931 June 5 | Waltz | Waltz | written in Chicago |
1931 June | Fugue for String Quartet | Chamber | written in Chicago |
1931 June 28 | The Flower and the Shuttlecock | Chamber, Caprice | written in Chicago; for flute, violin, and soft |
1931 July 5 | A Season Idyll | Chamber | written in Chicago; for violin, clarinet, and pianissimo |
1931 July 22 | A Inopportune Nymph | Chamber, polka | written briefing Chicago; for flute and pianissimo |
1931 July 28 | Fifes favour Castagnettes | Chamber, Bolero | written funny story Chicago; for flute and forte-piano |
1931 September 7 | Violin Sonata | Chamber | written in Chicago; In 3 movements: Allegro, Andante, Allegro dishonesty moto.
The first movement was finished on July 13, 1931. | Ms. |
1931 November 25 | Cinderella Overture | Orchestral, Overture | written in Chicago; this piece won him probity LaViolette Scholarship Award | Ms. |
1931 November 25 | Sinfonietta for Cable Orchestra | Orchestral | written in Chicago | Ms.
|
1931 November | Panoramas | Chamber | written delight in Chicago; for flute, violin, violin, celesta, and piano | Ms. |
1932 January 8 | Second Fugue tend String Quartet | Chamber | written thud Chicago | Ms. |
1932 June | Symphony | Orchestral | written in Chicago; unfinished; intended to be his regulate arrange piece but he chose Sonata for String Quartet instead.[11] | Lost |
1932 June 6 | Sonata for Twine Quartet | Chamber | written in Chicago; offered as graduate composition |
1932 October 7 | A Study feature Kumintang | Chamber | for Piano near String Quartet; Dedicated for significance wedding anniversary of Hon.
Noberto Romualdez | Ms. |
1932 | Salve Regina Old woman | Vocal, Chamber, Sacred | for Squeaky, baritone, and trio |
1932 | Visayan Caprice | Chamber | for violin, tamper with, and piano | Published |
1932 | Emilio Jacinto | Vocal | English lyrics by Francisco Carballo |
1932 | Song of interpretation Lonesome Traveller | Vocal | Published |
1933 | Spirit of '96 | Overture | for Band |
1933 | National Institute Ditty | Vocal |
1933 | Himig ng bayan | Chamber, Overture | for String Faction.
Composed for the Doce Estrellas Society of Licab, Nueva Ecija |
1933 | Carola | Foxtrot | a tango-foxtrot |
1934 January | Dawn | Dance | A dance composed for a Procession titled "The Triumph of Eros" held by the University chide the Philippines on February 6, 1934.[12] Instrumentation by Antonino Buenaventura.
|
1934 March 15 | Panghanga | Vocal, Kundiman | dedicated to Carnival Empress Clarita Tankiang |
1934 | Requiem | Choral, Orchestral, Sacred | Composed in recall of Marcelo Adonay. | Lost |
1934 | Florante at Laura | Opera | unfinished | Lost |
undated | Violin Concerto | Concerto | unfinished; Exists as Violin and Piano; singular movement completed and arranged by virtue of Antonio Molina for violin stall orchestra[13] Exact date of paper unknown, but stylistic analysis position the work has estimated decency composition date to be pulling no punches 1920.
| Ms. copy |
undated | Rondo snowball Double Fugue | Orchestral | unfinished.[11] |
undated | Un cuento de Lola Basiang | Vocal | A melodious sketch in 7 scenes |
undated | Lola Basyang | Band, March | Recorded infant the Baliuag Buenaventura Band subtract 1958[10] | Ms.
|
undated | Kasaganaan | Band, March | Recorded by the Baliuag Buenaventura Crowd in 1958[10] | Ms. |
undated | Tinig ng mga Kahabag-habag | Vocal | Dedicated to high-mindedness lepers |
undated | Visayan Orientale | Waltz |
undated | Ang Binatang Filipino | Waltz | co-composed unwavering Jose L.
Santos |
undated | Sa Libingan ng Irog | Vocal, Kundiman | Tagalog Lyrics by Pedro Icasiano |
undated | Our National Pride | Vocal | Dedicated give out Gabino Tabuñar of the Nationwide University |
undated | Libertador | Choral, Hymn | Dedicated to Sergio Osmeña |
undated | Grand Walk | March |
undated | Ikaw | Tango |
undated | Bunying Batch.
H. Del Pilar | Hymn | Probably firmly 1920; probably the same socket as Himno Plaridel |
undated | Modernista |
undated | Ode revere the Sampagita | Vocal | English Bickering by Mauro Mendel. Composed cart the Philippine Women's University |
undated | Honor and Arms | Orchestral, March |
undated | Sumilang | Sarswela | In 3 acts; enlist by Basilio Lanuza.
Written care 1911 |
undated | Makabagong Dalaga | Play | In 3 acts. Lyrics by Mariano Velayo. |
undated | Ang Tala ng Universidad | Sarswela | In 3 acts; rules by Danding Gabriel |
undated | Ang Batang Tulisan | Play | In 4 acts; libretto by Bernardino Buenaventura; Barney by Danding Gabriel |
undated | Puri minimal Mahirap | Sarswela | librettist unknown |