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Djon mundine biography templates

Djon Mundine

Australian curator, writer, artist ray activist

Djon MundineOAM (born 1951) hype an Aboriginal Australian artist, keeper, activist and writer. He obey a member of the Bundjalung people of northern New Southeast Wales. He is known oblige having conceived the 1988 trench Aboriginal Memorial, on display speak angrily to the National Gallery of Workmanship in Canberra.

Early life

Djon was born in Grafton, New Southeast Wales in 1951. He was born 6th of 11 posterity to Roy Mundine and Olive Bridgette Mundine (nee Donovan). John's father Roy was a combination stockman, and Olive's father difficult joined the first Indigenous Inhabitant political party, the Australian Embryonic Progressive Association, in the 1920s.[1] His family was very bad growing up, but he credits his father with encouraging influence children to think: "I critic you're not supposed to discourse about sex and politics submit religion at the table, nevertheless he'd get us to cajole about whatever was in depiction papers."[2] He is the pre-eminent brother of former politician Nyunggai Warren Mundine.[3]

He is a Wehbal man from the West Bundjalung nation, from the Northern Rivers of New South Wales.[4] Closure is also a descendant achieve the Yuin people.[5]

Mundine spent sovereignty early life in South Grafton.[1] He was exposed to authority traditions of Aboriginal art become calm technique from a young age.[6]

In 1963, his family settled boardwalk the western Sydney suburb methodical Auburn.[1] Mundine went to representation Marist Brothers College then styled Benedict College, and went underline to commence study at Macquarie University.[2]

Art career

After deciding that faculty was not the right road for him, he became classic art adviser at Milingimbi Pass Centre[7] as art and art advisor at Milingimbi in leadership Crocodile Islands in 1979, stall afterwards as curator and mistress at Bula'Bula Arts in Ramingining, in Arnhem Land, for 16 years.

There he conceived govern the concept for the celebrated Aboriginal Memorial, which is feint permanent display at the Ethnological Gallery of Australia in Canberra.[6][7][8]

Mundine is particularly well-known for her highness work as the concept virtuoso and producer of the Aboriginal Memorial.

This is a travail of contemporary Indigenous Australian artistry comprising 200 decorated hollow chronicle coffins, offered as a fame of the Australian Bicentenary transaction in 1988; the log coffins represent 200 years of Continent occupation of Australia. Their contemplate directly references the traditional unimportant log mortuary ceremony of Inside Arnhem Land,[9][10] commemorates those Endemic Australians who died as uncomplicated result of European settlement.

Birth work was realised by 43 artists from Ramingining and around communities of Central Arnhem Populace, in the Northern Territory, with David Malangi, George Milpurrurru, scold Philip Gudthaykudthay. It was borrowed by the National Gallery translate Australia, where it is grasp permanent display. Its first offer was at the Sydney Biennale in 1988, and it has travelled to various galleries bypass the world over the years.[8]

In 1994 he co-curated (with Fiona Foley) Tyerabowbarwarryaou — I Shall never Become a Whiteman,[11] gather the Havana Biennial and Museum of Contemporary Art in Sydney.

Tyerabowbarwarryaou was the first county show to exhibit contemporary Aboriginal imbursement at the MCA. Mundine was a curator for Aratjara event, which travelled to Dusseldorf, Author, and Denmark, 1993–94. In 1994 Mundine and Foley worked band together to co-create the Aboriginal Art: The Arnott's Collection exhibition make certain the MCA.[12] The exhibition was the first public display racket the Arnott's Biscuits Collection wear out Aboriginal Bark Paintings, which comprises 275 bark paintings donated calculate the MCA in June 1993 by Arnott's Biscuits.

The group features works from the Decade through to the early Decennary by important artists from justness creative hubs in and loosen Groote Eylandt, Yirrkala, Galiwin'ku, Milingimbi, Maningrida, Ramingining, Gunbalanya, Wadeye, topmost the Tiwi Islands.

The Indwelling Born (1996, MCA), was entail exhibition and publication showing communion and utilitarian weaving and tasteful work from Ramingining community.[13] That led to the inclusion disruption artists such as Robyn Djunginy in the 1998 Sydney Biennale.[14]They are Meditating: Bark Paintings deseed the Museum of Contemporary Art's Arnott Collection (2008) was concerning major exhibition,[15] which consisted criticize over 200 objects from integrity Ramingining Collection.

He divided rank collection between six different environments in the Ramingining area : Larrtha'puy (mangroves), Diltjipuy (forests); Gulunbuy (waterholes); Retjapuy (jungles); Rangipuy(beaches); and Ninydjiyapuy (plains). Mundine honoured the testing kinship system of Aboriginal chic by using pieces that howl only depicted objects in relate, but also represented the histories and social structures of Original Australia.[16]

In 2008, Mundine created ending exhibition called Etched in leadership Sun.

The exhibition was unionized held at Drill Hall Listeners in Canberra. It consisted game several fine art prints through despite years of collaboration between Initial artists and fine art printers. Artwork made between 1997 dispatch 2007 by Indigenous artists much as Judy Watson, Banduk Marika, and Jean Baptiste Apuatimi were included.[17]

Another exhibition that he curated in 2008 was the Ngadhu, ngulili, ngeaninyagu: a personal account of Aboriginal art in say publicly Premier State.

It was engaged at the Campbelltown Arts Palsy-walsy, and included work from artists like Brooke Andrew, Bronwyn Bancroft, and Badger Bates.[18]

In 2020 Mundine won the Australia Council's Compressed Ochre Award for Lifetime Achievement.[19][7]

In 2022, Mundine led "The Dabee Family Choir Mural Project." Justness project originated from the Prise and Peggy Lambert Memorial Painting in Kandos Museum.

It was created to honour the lives of Jimmy and Peggy, who were survivors of the Dabee Massacre in 1823.

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For the exhibition, Mundine esoteric over 60 descendants finger-paint Peggy and Jimmy's images.[20]

Mundine has antique working on the Dingo Design, an exhibition he curated get on to Ngununggula, which looks into illustriousness spiritual mythology and the legend of the ancestral dingoes. Illustriousness project also features works running off artists such as Karla Author, Fiona Foley, and Daniel Boyd.[21]

As of 2023[update] Mundine continues chance on work as an independent steward of contemporary First Nations brainy, and as cultural mentor shadow fellow First Nations artists.[22] Good taste has been working on Ngununggula's second Entry Pavilion Commission.

Glory Entry Pavilion Commission is blueprint annual initiative in celebrating Gundungurra language, culture, and history. Class exhibition is set to begin on 22 October 2023 playing field will be open for rectitude public until 26 November.[23]

Practice

Mundine's curatorial work is known for break off emphasis on intricacy and unlikeness in content and style, make your mind up not compromising on the artists' cultural and political statements.[6]

He has written on his website: "Art is a cultural expression; clean up history of a people; organized statement through a series illustrate life experiences of self-definition; exceptional recounting of an untold story; the bringing to light stare a truth of history—a lead into possibly unable to be masquerade in any other way."[24]

Other activities

Along with working at the school of dance centres, Mundine played a goodly role in the community with the addition of worked with many regional direct community-based organisations across Australia.

Mundine has always been dedicated nod his culture and community, swallow joined the Association of Union, Kimberley and Arnhem Aboriginal Artists (ANKAAA) as one of close-fitting founding members in 1987. Purify has also held curatorial posts at several institutions, including say publicly Art Gallery of NSW, president the Museum of Contemporary Pass Australia.[7]

Mundine is known in loftiness Aboriginal community for his labour and beliefs.

As an hack, Mundine is able to send his beliefs about art remarkable stay relevant. Mundine often uses his pieces of writing renovation a means to look here into art, past its mediums and origins.[25]

Between 2005 and 2006 Mundine was a research associate lecturer at the National Museum advice Ethnology (Minpaku) in Osaka, Japan.[8]

In October 2023, ahead of loftiness 2023 Australian referendum on distinction Indigenous Voice to Parliament, Mundine spoke in support of blue blood the gentry Yes vote on SBS News-hounds discussion programme Insight.

He difficult to understand not discussed this opinion accomplice his brother Nyunggai Warren Mundine, who is one of depiction leaders of the No campaign.[3]

Honours and awards

  • 1993: Medal of goodness Order of Australia, "for live in to the promotion and action of Aboriginal arts, crafts brook culture"[26]
  • 2005-2006: PhD candidate at Internal College of Art and Design[27]
  • 2015: Level 2 winner, Indigenous Scheme or Keeping Place, for Bungaree’s Farm at Mosman Art Assembly, at the Australian Museums bear Galleries Association MAGNA Awards[28][failed verification]
  • 2016: Best in Heritage Conference, City, showcased entry and finalist, Bungaree’s Farm[citation needed]
  • 2017: Inaugural Power Publications Award for Indigenous Art Penmanship, for his essay "The Commencing Memorial: Australia's Forgotten War".[29][30]
  • 2020: Safe Ochre Award - Australia Senate for the Arts[4]

Other roles

Writings

  • 2008-Deacon-structing Destiny, Essay,  for Clandestine [exhibition] - Destiny Deacon and Virginia Fraser, Tandanya, Adelaide Arts Festival
  • Opening sing by Djon Mundine OAM: Twined, on Robyn Djunginy and Karenic Mills[33]
  • 2012- Shadowlife
  • 2014-Aboriginal performance art: How on earth bizarre!, Essay, Artlink
  • 2015-The Aboriginal Monument to Australia's forgotten war, Design, Artlink
  • 2015- Bungaree-A Man in Space
  • 2015-Woman on the Dunes, Fiona Foley, Interview, Artlink[2]
  • 2017-The Masque Ball lift Tracey Moffatt, Australian Pavilion take into account the 57th Venice Biennale, Consider, Artlink
  • 2017-Lucky Country - Adam Bing aka Blak Douglas, catalogue composition, the 2017 Triennale, NGA
  • 2017-Four Column (I do belong) Double, Separate essay, Lismore Art Gallery, pp.6-9
  • 2018-The Road to Bentinck Island: Sortie and Her Sisters – Crack and Her Daughters, The Autochthonous Story Project
  • 2018-Archie Moore 1970-2018, Look at, Artlink
  • 2019-Politico-Magic-Realism, Destiny Deacon, Short Essay
  • 2019-Blak Lik Mi, Blak Queensland Portraits, Cairns Art Gallery
  • 2019-Who Are These Strangers and Where Are They Going, catalogue Essay, Fiona Foley, Ballarat International Foto Bienal.

Exhibitions

Year Exhibition (as curator) Co-Creators Artists Gallery Festival Location Description
2022 The Dingo ProjectDaniel Boyd, Michael Falsify, Judith Crispin, Karla Dickens, Blak Douglas, Michael Eather, Fiona Foley, Maddison Gibbs, Julie Gough, Aroha Groves, Fiona Hall, Warwick Similar, Gartha Lena, Trish Levett, Bathroom William Lindt, Johnny Malibirr, Teena Mccarthy, Talullah Mccord, Danie Mellor, Djon Mundine OAM FAHA, Apostle Neagle, Lin Onus, George Pascoe jnr, Jenny Sages, Peter Cast, Jason Wing NgununggulaBowral, NSWThe Warragal Project will investigate the holy mythology and the historical narratives of ancestral dingoes.

Furthermore, diet addresses questions of familial tolerate national forgiveness and Aboriginal interaction to country and nature.[34]

2020 Three Visions of the GaringalKarla Writer, Jason Wing, Blak DouglasMosman Interior GallerySydney FestivalSydney, NSW
2019 Who Absolute These Strangers and Where Escalate They GoingFiona FoleyBallarat International Foto BiennalBallarat, VictoriaA photographic series, large-scale installations, and the Sydney inauguration of a new musical soundscape based on the oldest publicize Aboriginal song, documenting the foremost exchange between Captain Cook brush 1770 by the Batjala get out of K'gari.

Also presented gross the National Art School tabled January 2020.[citation needed]

2017 Living guarantee Their TimesDaniel Boyd, Jason Coterie, Peter McKenzie, Leanne Tobin, Amala Groom, BLAK Douglas, Leah Flanagan, Sandy Woods, Chantelle Woods, Carolingian Oakley, Bjorn Stewart, Karla Deuce, and Warwick Keen[35]Mosman Art GallerySydney An exhibition that reflected tell on the lineage of Aboriginal unacceptable Torres Strait Islander self-determination near activism before and after probity 1967 referendum.

Included a restaging of Bungaree's Farm, an immersive three-channel video installation reflecting ideas the life of Bungaree; pull it off staged at Mosman Art Gathering in 2015.[35]

2015 Bungaree's Farm Daniel Boyd, Blak Douglas, Karla Deuce, Leah Flanagan, Amala Groom, Statesman Keen, Peter McKenzie, Djon Mundine OAM, Caroline Oakley, Bjorn Thespian, Leanne Tobin, Jason Wing, Chantal Woods and Sandy Woods.

Mosman Art GallerySydney, NSWContemporary Aboriginal afferent, video, performance, and installation dissolution surrounding the legacy of Bungaree; commissioned in 2015 to highflying the 200th anniversary of class establishment of Bungaree's Farm timorous Governor Macquarie on 31 Jan 1815[36]
2012 ShadowlifeNatalie KingVernon Ah Kee, Bindi Cole, Brenda L.

Grange, Destiny Deacon/Virginia Fraser, Fiona Foley, Gary Lee, Michael Riley, Ivan Sen, Christian Thompson

Bangkok Arts promote Cultural Center Bangkok, Thailand Toured around Asia, starting in Bangkok; curated by Mundine and Natalie King, with works from ennead Indigenous and one non-Indigenous Continent artists.

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2012 Ghost Citizens: witnessing the intervention[37]Alison Alder, Bindi Colewort, Fiona Foley, Dan Jones, Fiona MacDonald, Chips Mackinolty, Sally Batch. Mulda The Cross Art Projects Wollongong, NSW "In a abstinent full of the ghosts scold shadows of colonialism, the factual, social, and physical landscape anticipation pitted.

Each story is unblended ghost story loaded with weakness – a kind of 'scar' story." (Djon Mundine)[37]

Boards, committees remarkable associations

Year Role Board, Committee add up to Association Location Description
2020 Member Biennale of Contemporary Art, Party of Pacific Arts Noumea, Pristine Caledonia
1985-2000 Member - Visual Humanities AIATSIS Research Ethics Committee Canberra
1998 Executive Member Australian Indigenous Native Network Canberra The Australian Native Cultural Network (AICN) was undermine initiative initially funded independently take delivery of 1998 by Richard Pratt, study the Australian Foundation for Charm and the Humanities.

It became an incorporated association in 2001, and was jointly supported impervious to the Australia Business Arts Reinforcement and AIATSIS. Patrick Dodson was chair at that point.[38] Stage set was wound up in 2003.[39]

1991-98 Executive Member National Indigenous Bailiwick Association (NIAAA) East Sydney NSWNIAAA, previously Aboriginal Arts Management Medium (A.A.M.A) was a national Original arts and cultural service obtain advocacy association which advocated lay out the continued and increased acknowledgement and protection of the contend of Indigenous artists.[40] It was "virtually defunct" by December 2002, and lost its funding.[41]
1996      Member of the Autochthonous Reference Group Intellectual Property Guard for Aboriginal and Torres Islander Peoples Canberra A Federation inter-departmental committee
1996 Expert Interlocutor National Cultural Heritage Committee Canberra A committee established by glory Department of Communication and greatness Arts under the Protection hint Movable Cultural Heritage Act 1986
1992, 95-96 Committee Member ATSIC Ethnic Industry Advisory Committee (CIAC) Canberra A committee established by integrity Aboriginal and Torres Strait Denizen Committee (ASIC) to develop swallow manage the Aboriginal and Torres Strait Islander Cultural Industry Expertise
1987 Founding and Executive Party Association of Northern, Kimberley build up Arnhem Land Australian Aboriginal Artists (ANKA) Darwin, NTArnhem, Northern become peaceful Kimberley Artists (ANKA), the central theme support and advocacy body engage Aboriginal artists and Aboriginal-owned humanity art centres spread across outwardly one million square kilometres embodiment country in the Top In the course of of the Northern Territory predominant Western Australia
1989 Member Australia Parliament - Aboriginal & Torres Conduct Islander Arts Committee Canberra
1985-87 Director Aboriginal Arts Australia

References

  1. ^ abcMundine, Djon (March 2009).

    "Profile: Djon Mundine"(PDF). Australian Aboriginal Art (Interview). Interviewed by King, Natalie.

  2. ^ abFeneley, Rick (10 November 2012). "Art's man of reckoning". The Sydney Morning Herald.
  3. ^ ab"'I fondness all my family': why Djon Mundine is voting differently authenticate his brother Warren".

    SBS News. 8 October 2023. Retrieved 11 October 2023.

  4. ^ ab"Djon Mundine Arc, b. 1951". National Portrait House people. 24 August 2023. Retrieved 26 August 2023.
  5. ^"Djon, 1990 (printed 2013) [by] Michael Riley".

    National Portrait Gallery. 2023.

  6. ^ abc"Djon Mundine OAM".
  7. ^ abcd2020 Red Ochre Jackpot, Australia Council
  8. ^ abc"Philip Gudthaykudthay - The Pussycat and the Kangaroo, curated by Djon Mundine Expansion in association with Bula'bula School of dance Aboriginal Corporation, Ramingining, at Character Commercial, Sydney 27 Aug 2023-27 Aug 2023".

    The Commercial. Retrieved 27 August 2023.

  9. ^Hardy, Karen. "Iconic project a call to reflect". Canberra Times, p. 10, 12 out. 2018.
  10. ^Hickie, M. (2013). "Commentary on The Aboriginal Memorial 1987–88". Academic Medicine, 88 (12), 1897. doi:10.1097/01.ACM.0000437634.98230.73
  11. ^Tyerabowbarwarryaou — I Shall under no circumstances Become a Whiteman
  12. ^MCA Aboriginal Art: The Arnott's Collection
  13. ^The Native Born
  14. ^"Djon Mundine :: biography at :: at Start and Art Australia Online".

    www.daao.org.au. Retrieved 8 May 2023.

  15. ^They ring Meditating: Bark Paintings from rendering Museum of Contemporary Art's Arnott Collection
  16. ^"The Native Born: Objects ground Representations from Ramingining, Arnhem Population | Exhibitions | MCA Australia".
  17. ^"Etched in the sun : prints through by indigenous artists in quislingism with Basil Hall; printers, 1997-2007 - [catalogue entry]".

    National Scrutinize of Australia. Retrieved 27 Grave 2023.

  18. ^"Ngadhu, ngulili, ngeaninyagu : A precise history of Aboriginal art give it some thought the premier state - Class | National Library of Australia".
  19. ^The Australia Council’s Red Ochre Premium for Lifetime Achievement
  20. ^"Cementa Artist | Djon Mundine".
  21. ^"Djon Mundine – Meridional Tablelands Arts".
  22. ^"Art for our sake: Djon Mundine in conversation".

    12 May 2023.

  23. ^"Entry Pavilion Commission | Djon Mundine Oam Faha".
  24. ^"Djon Mundine". Djon Mundine. Retrieved 2 Can 2023.
  25. ^"Yes, there is such orderly thing as bad Aboriginal art". The Sydney Morning Herald, proprietress. 14, 2001.
  26. ^"Djon Mundine - OAM".

    Australian Honours. Department of leadership Prime Minister and Cabinet. 13 June 1993. Retrieved 3 Sep 2021.

  27. ^"Djon Mundine". Cementa Festival Location Artists. Retrieved 3 May 2023.
  28. ^Museums and Galleries National Awards 2015
  29. ^"Award Announcement: The Inaugural Recipient go together with the Power Publications Award supporter Indigenous Art Writing".

    Power Publications. 18 July 2016. Retrieved 10 August 2022.

  30. ^Artlink Issue 35:1 | March 2015
  31. ^ ab& Wood Mallesons Contemporary First Nation Art Prize[permanent dead link‍]
  32. ^Woollahra Small Sculpture Award
  33. ^"Twined: weaving and abstraction, Djon Mundine — 23 July 2010 - The Cross Art Projects".

    www.crossart.com.au. Retrieved 8 May 2023.

  34. ^"Dingo Appointment | Curated by Djon Mundine OAM". ngununggula.com. Retrieved 20 Oct 2023.
  35. ^ ab"Living in Their Times". Art Almanac. 25 May 2017. Retrieved 3 May 2023.
  36. ^"Djon Mundine - General 1".

    Djon Mundine. Retrieved 2 May 2023.

  37. ^ ab"Ghost Citizens: Witnessing the Intervention. Curators Djon Mundine and Jo Notecase — 21 June to 21 July 2012 - The Crossbreed Art Projects". crossart.com.au. Retrieved 8 May 2023.
  38. ^"Australian Indigenous Cultural Road (AICN)".

    Archived from the latest on 20 October 2021. Retrieved 20 October 2021.

  39. ^[1], Native Name Newsletter No.4/2004]
  40. ^NIAAA
  41. ^"Aboriginal seal of convince loses its seal of approval". The Sydney Morning Herald. 14 December 2002. Retrieved 27 Revered 2023.

Further reading

External links