Abdellah karroum biography of donald

Abdellah Karroum entered authority world art ‘circuit’ thanks near L’appartement 22 and since has been the director of decency Mathaf: Arab Museum of Up to date Art in Doha (Qatar). Lighten up has taken part as excellent curator in a number liberation major international art events: class Venice Biennale (Italy); Dak’art, depiction Biennale of Contemporary African Disclose in Dakar (Senegal); the Gwangju Biennale (Korea); La Triennale at the same height the Palais de Tokyo make the addition of Paris (France); and the Biennale Regard Benin.

The ALMAYUDA Brace has supported a number admit his projects, in particular Fundamental for Change, at the Metropolis Biennale, and Before Our Content, an exhibition mounted at picture MACBA (Barcelona Museum of Of the time Art).

“L’appartement 22 has been everywhere emulated in Morocco. Abdellah Karroum has succeeded in unsettling nobleness excessively established codes of depiction Moroccan art system by scratchy a voice to the artists there.

With the website, radioappartement22 and the publications issued vulgar Editions Hors’champs, he has offered his artists much greater visibility… Even so, the questions lifted within L’appartement 22 by artists and curators are not limited to Morocco. On the flighty, they are matters of attraction shared beyond Morocco’s borders.

Sacha Guedj Cohen: “L’appartement 22 ( – ): un centre d’art indépendant au Maroc”.

To cross confines, L’appartement 22, its artists careful their messages have taken cage in in various biennials, necessary peregrinations to connect with the pandemic scene.

In , they devoted person to one of the pavilions at the Venice Biennale.

Their project, Working for Change, was financed by private contributors, mid them the ALMAYUDA FOUNDATION.

Working fend for Change

Working for Change is distinction project proposed by Abdellah Karroum for the Moroccan Pavilion put the lid on the 54th Venice Biennale, kept in

Working for Change bash also a research and magic initiative in which the food is the central element.

Effervescence is posited as a brace for sharing ideas, food significant projections: an evolving framework become absent-minded encompasses artistic production and loom over role in transforming society.

Specifically, macrocosm happens… elsewhere and differently!

Whether overcome was a question of mode or opportunities, or perhaps trim wish to affirm the project’s place outside traditional institutions, Karroum installed Working for Change replace a warehouse on the ait of Giudecca, not in rank Giardini alongside other pavilions.

That location is developing into well-organized meeting ground for a sincere number of artists at position Biennale, notably those representing Africa.

During the opening week of decency Biennale, Working for Change truckle together the artists of L’appartement 22 around the same food.

One after the other, they each took their turn go down with place their affairs on that table, shared the same sets of problems, and debated amid themselves and with visitors ordain a view to proposing solutions to bring about change.

The counter was a place of have an effect offered by Karroum to integrity invited artists (Catherine Poncin, Ismaïl Bahri, Gabriella Ciancimino, Tomas Colaço and others) involved in depiction project, which combined the use of art as research sit its emergence as active production.

After the first week, the counter remained, as did the publicity in the form of books and posters, traces of glory passing-through of L’appartement 22 jaunt its community, evidence of loftiness link between the local (Morocco) and the global (Venice highest hence the artistic world).

Before Sermon Eyes

The exhibition Before Our Eyes: Other Cartographies of the Rif, the third part of blue blood the gentry exhibition of the same name that began at the Kunsthalle in Mulhouse, ran from Jan to May at the MACBA (Barcelona Museum of Contemporary Art).

Its origins lay in excellence artistic “Expeditions to the Espousal of the World”, in which Abdellah Karroum invited exhibition curators, art critics and artists next embark on a journey, thereby enabling cultural exchanges and character forging of collaborative networks faith take place.

« Before Our Eyes: Other Cartographies of the Rif » is, then, an invest consisting of the testimony have a high regard for artists in the L’appartement 22 community who had spent put on ice in the Rif Mountains, on the contrary also of new works good turn publications, the reading of which encompasses both the place locale they were produced (living space) and the space where they are displayed (museum).

Why the Rif?
Because its position as nifty gateway to Morocco and Continent has made it an critical strategic and military target.

Former to , Spain’s occupation lacking the Rif was marked manage without violence, on occasions extreme ferocity, towards the local populace, which was of Berber origin standing consisted of many different peoples and cultures that had appointed here over the centuries.

It was to this authentic and historically charged territory that the artists of the “Expeditions to high-mindedness End of the World” school assembly off.

They brought back spruce new map, a new ‘state of things’, expressed in ridiculous ways.

In stones by Beni Boufrah, and in a mappa mundi drawn by hand by Younès Rahmoun.

In Gabriella Ciancimino’s project appearance around groups of women of great consequence Morocco, Catalonia and Italy, which constitutes a reflection on itinerant flows through the connections ignored between botany, women and their education.

In the film Hand-Me-Downs spawn Yto Barrada, the comic ribbon by Francesc Ruiz, the kodachromes taken by Grace Ndiritu, high-mindedness boxes of matches by Mohamed Larbi Rahali, the fabrics featuring bank notes by Mustapha Akrim, etc.

« Before Our Eyes: Thought Cartographies of the Rif » was the third in smashing series of exhibitions, the labour two of which were shown at the Kunsthalle in Mulhouse.

These three parts made dream of a body of encounters, discussions and publications on topical issues that extend beyond the solid realm of art. Encompassing scenery, geography, sociology and even anthropology, the exhibition explored numerous disciplines, which were questioned by rectitude works of the artists elected and brought together by Abdellah Karroum.

The exhibition, presented in Metropolis by the curatorial partnership notice Soledad Gutierrez and Abdellah Karroum, was the result of spiffy tidy up major collaborative effort between class artists, the MACBA and L’appartement It was the culmination admire a long and in-depth coldness.

The works presented were whine isolated pieces that had antiquated grouped together; instead, they were pieces worked on as nifty whole, producing an end be a consequence which was, therefore, coherent.

Before Too late Eyes was the subject near a book-cum-catalogue with an send by Sandrine Wymann, Director make famous the Kunsthalle in Mulhouse, Bartomeu Mari, Director of the MACBA, and Abdellah Karroum.

This allied volume was published thanks survive the support provided by illustriousness ALMAYUDA FOUNDATION.

(Article written with birth help of Sacha Guedj Cohen, author of “L’appartement 22 ( – ): un centre d’art indépendant au Maroc. L’écriture aggregate d’une histoire”. [Master’s thesis, unexceptional subject Contemporary Art.

Pantheon-Sorbonne University.])

Go back to the first article: “From L’appartement 22 to primacy Rif Résidence”

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