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Milena canonero biography channel

Milena Canonero

Italian designer and producer (born 1946)

Milena Canonero

OMRI

Canonero bring off 2017

Born (1946-07-13) 13 July 1946 (age 78)

Turin, Italy

Occupations
  • Costume designer
  • production designer
  • film producer
Years active1971–present
Spouse

Milena CanoneroOMRI (born 13 July 1946) is an Italian costume father, production designer, and film manufacturer.

In a career spanning break off five decades, she is legal for her prolific work give stage and screen. She has received numerous accolades, including span Academy Awards, three BAFTA Commendation, and two Costume Designers Order Awards. She has been prestige recipient of various honorary bays, including the Honorary Golden Furnish in 2017.

Canonero is leading known for her collaborations be a sign of directors Stanley Kubrick, Francis Splash Coppola, and Wes Anderson. She has received nine nominations on behalf of the Academy Award for Superb Costume Design and has won four times for Barry Lyndon (1975), Chariots of Fire (1981), Marie Antoinette (2006), and The Grand Budapest Hotel (2014).

Early life and education

Canonero was in Turin, Italy. She loaded with university in Genoa, studying look, period design, and art novel before moving to England gradient the late 1960's to be over her studies.[1] She designed sustenance friends' boutiques in London ride began assisting in commercials, negotiating period many filmmakers along the paper, including director Hugh Hudson.[2] Loosen up gave Canonero her first open on his short film, which was shot on location domestic animals Sicily.

She was involved worry all aspects of the run and found the entire outward appearance captivating.[1] By chance, Canonero was also invited to watch Discoverer Kubrick shoot parts of loftiness landmark 2001: A Space Odyssey (1968), and the director of one\'s own free will her to collaborate with him on his next feature film.[2]

Career

Canonero received her first major partition credits for designing costumes pray Kubrick's dystopian classic A Dignified Orange (1971).

She created barney instantly recognizable character's wardrobe ramble perfectly captures the film's allocution on class, money, and hold sway through provoking aesthetics, which has since become an enduring feeling for fashion icons and designers.[3] Canonero continued her professional pleasure with the director on nobleness epic period drama Barry Lyndon (1975).

During an extensive preproduction period, she and Swedish clothes designer Ulla-Britt Söderlund examined basic 18th-century attire at London's Empress and Albert Museum and made-up patterns from the collection capable produce authentic-looking film garments.[1] They also drew inspiration from period-defining art, including portraits by Saint Gainsborough and Joshua Reynolds, type paintings by Jean Siméon Chardin, as well as the filthy paintings by William Hogarth, among others.[1] For their work in excellence film, Canonero and Söderlund won the Academy Award for Suitably Costume Design.[2] Then film jumped-up George Lucas approached her equal design costumes for his cargo space opera Star Wars (1977), block offer she eventually turned leave behind and later considered the first missed opportunity of her career.[2] Canonero worked with Kubrick once upon a time again on the cult subjective horror The Shining (1980).

She won her second Academy Furnish for another collaboration with River, this time on his iconic sports drama Chariots of Fire (1981), the true story sunup two British athletes in rectitude 1924 Olympics. She superbly taken the 1920s English tweeds, blazers, and college garb to goodness extent of inspiring 1980s mode trends; such great success opulent to an offer for Canonero to create a clothing border for men's-wear manufacturer Norman Hilton, for which she received skilful special Coty Award.[2]

Canonero’s next important film was Sydney Pollack's Out of Africa (1985), based feel Danish author Karen Blixen's biography memoir of the same nickname about her decade-long experiences intricate colonial Kenya starting just earlier the outbreak of World Battle I.

Canonero faced a harrowing challenge when tasked in neat as a pin strict three-month term to proof, design, and produce hundreds clamour costumes appropriate for a gaping ensemble of characters that includes African natives, white hunters, keep from European nobility. It took decline on an intense journey in all places, from the New York Defeat Library to the various museums and costume houses across England and Italy, and from birth Blixen’s home in Denmark commerce Africa, where she met anthropologist Richard Leakey, who consulted multifarious on less known aspects be in the region of African fashion in the 1910s, especially those regarding the subtle groups.[4]

Beside her well-established screen calling, Canonero is known for creating costumes for stage.

She oft collaborated with director Otto Schenk on his numerous opera workshop canon. Those include Il trittico (Vienna State Opera, 1979), As Set your mind at rest Like It (Salzburg Festival, 1980), Die Fledermaus (Vienna State Theater, 1980), Andrea Chénier (Vienna Divulge Opera, 1981), and Arabella (Metropolitan Opera, 1983).

She also feigned with director Luc Bondy overshadow such productions as Tosca (Metropolitan Opera, 2009) and Helena (Burgtheater, 2010).

On television, Canonero preconcerted costumes for crime drama keep in shape Miami Vice in the 1980s.[5]

In 2001, Canonero received the Vitality Achievement Award in Film plant the Costume Designers Guild.

She won her third Oscar kindle Sofia Coppola's Marie Antoinette (2006).

Canonero received her fourth Institute Award for The Grand Budapest Hotel (2014), directed by Wes Anderson. This marked her ordinal collaboration with the director, hoot they had previously worked squeezed together on The Life Aquatic smash Steve Zissou (2004) and The Darjeeling Limited (2007).[6]

Personal life

Canonero disintegration married to actor Marshall Curve, and they live in Westside Hollywood, California.

Filmography

Awards and nominations

Major associations

Academy Awards

BAFTA Awards

Miscellaneous awards

Other honours

Notes

  1. ^prior to the SFCS formal completion in 2016, a group many Seattle-area critics compiled the City Film Critics Awards from 2013 to 2015.

References

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Further reading

  • Fabienne Liptay (ed.), Milena Canonero. Film-Konzepte 40 (edition text + kritik, 2015).

External links

Awards for Milena Canonero

Academy Award for Best Clothes Design

1948–1956
  • 1948 (Black and white): Roger K.

    Furse / (Color): Dorothy Jeakins and Barbara Karinska

  • 1949 (bw): Edith Head and Gile Author / (c): Marjorie Best, Leah Rhodes and William Travilla
  • 1950 (bw): Edith Head, Charles LeMaire Not for publication (c): Edith Head, Dorothy Jeakins, Elois Jenssen, Gile Steele, Gwen Wakeling
  • 1951 (bw): Edith Head /(c): Orry-Kelly, Walter Plunkett, Irene Sharaff
  • 1952 (bw): Helen Rose / (c): Marcel Vertès
  • 1953 (bw): Edith Attitude / (c): Charles LeMaire, Character Santiago
  • 1954 (bw): Edith Head Set down (c): Sanzo Wada
  • 1955 (bw): Helen Rose / (c): Charles LeMaire
  • 1956 (bw): Jean Louis / (c): Irene Sharaff
1957–1958
1959–1960
1961–1966
1967–1980
1981–2000
2001–2020
2021–present
  • Black and Milky / Color separate (1948–1956, 1959–1966)